Hans Zimmer's score for Christopher Nolan's 2010 psychological thriller, Inception, was perfectly placed to explore the many layers within Nolan's story. Zimmer was able to realise the sound of dreams in music, but was also able to tell a story that bound Cobb and Mal together across time. In this essay, I look at how Zimmer uses a simple chord sequence, usually played by two violins, to do this.

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