In the 1930s and 40s, Salvador Dalí painted a number of works that featured musical instruments, presenting a perspective on music unlike any other 20th Century artist. In this essay, I consider why he painted musical instruments in the way he did and consider what this tells us about Dalí's approach to music.

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MUSIC
Stravinsky - Symphony in Three Movements
Reich - Electric Counterpoint (movement 1)
John Luther Adams - Become Ocean
John Adams - Phrygian Gates
Wagner - Tristan und Isolde: Liebestod