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Don Davis' score for The Matrix is perfectly suited to the multi-layered world that the Wachowskis created - it's full of polytonality and polyharmony and is constructed, unlike a traditional score, using several separate musical cells instead of melodic themes. And it all culminates in what I believe is one of the best musical conclusions for any film. Let's find out why it's so good.

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FURTHER READING/RESEARCH
Taking the Red Pill: An Analysis of Don Davis’ Score for The Matrix [Christopher Heckman]: https://escholarship.org/uc/item/3q27...

FULL SCORE
https://omnimusicpublishing.com/the-m...

Thank you to my all my amazing supporters on Patreon, but in particular to my Perfect Fifth supporters: David Ball, Pavel Makeenko, Max Braun, Hamish Madden, Andrew Wong, David Wiley, Bryan Ellertson