Can You Hear Two Parts and Write Them Down? - Ear Training

Music Matters Theme Scores

How to Write a Crab Canon - Writing Canon

Harmonizing an Ascending Scale with 5-6 Alterations - Music Composition

Can You Hear Four-Part Harmony and Write It Down? - Ear Training

Writing a Canon by Augmentation - Writing Canon

Using Too Many Non-Chord Tones - Music Composition

Composing in Sonata Form - Writing a First Subject in Classical Style

Composing in Sonata Form - What is Sonata Form?

How to Harmonize Repeated Notes in Both the Top and Bottom Parts - Music Composition

Interpreting Brahms' Intermezzo Op 119 No. 1 for Piano - Piano Interpretation

Using Suspensions to Harmonize a Descending Bass - Music Composition

Can You Hear Which Chords Are Major and Which Are Minor? - Ear Training

Canon by Diminution - Writing Canon

What Can You Write After an Augmented 6th Chord? - Music Composition

Harmonic Surprises in All I Want for Christmas is You - Composer Insights

Can You Hear a Melody and Write It Down? - Ear Training

Alternating Inversion Chords when Harmonizing a Descending Bass - Music Composition

Two-Part Canon by Inversion - Writing Canon

What to Do With the Rule of the Octave - Music Composition

Interpreting Debussy's Arabesque No.1 for Piano - Piano Interpretation

What Can You Write Before a Diminished 7th Chord - Music Composition

Harmonizing a Chromatic Scale is Not Impossible - Music Theory

Creative Songwriting - Varying Textures

Creative Songwriting - Melodic Shape, Pairs of Phrases and Word Painting

Elaborating an Upper Voice When Using an Ascending Bass Scale - Music Composition

Two-Part Canon at the 5th - Writing Canon

Extended Chords in Four-Part Harmony - Music Composition

Interpreting Schubert's Impromptu in A-flat Major D.935 for Piano - Piano Interpretation

How to Harmonize a Fast Moving Melody - Music Composition