How to extend basic triads into chords using added 7ths, 9ths, 11ths and 13ths. Having considered how to construct these chords we explore how to use extended chords in four part harmony, discovering which notes we can omit from each chord and how to deal with voice leading issues so that smooth resolutions can be found. This music composition lesson will enable composers and arrangers to broaden their harmonic vocabulary by adding greater colour and warmth to their writing.

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🕘 Timestamps
0:00 - Introduction to extended chords in four-part harmony
0:23 - What does extended mean?
3:18 - Omitting notes to reduce dissonance
4:42 - Chords in four-parts
5:23 - Dominant 7th chords
7:52 - Dominant 9th chords
11:16 - Dominant 11th chords
14:29 - Dominant 13th chords
17:04 - Supertonic 9th chords
20:52 - Supertonic 11th chords
21:30 - Supertonic 13th chords
21:53 - Conclusion

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