Film Metering — In this video, we look at why light meters continue to be a vital tool for cinematographers.

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Chapters:
00:00 - Introduction to Light Meters
00:45 - Light Meters Defined
01:27 - Chapter 1: Types of Light Meters
04:25 - Chapter 2: Why Use a Light Meter?
07:11 - Chapter 3: How to Use a Light Meter
09:18 - Takeaways

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LIGHT METER FOR BEGINNERS

In the age of digital filmmaking, it may seem like light meters are a thing of the past. Today, digital cameras often have massive dynamic ranges, allowing for a videographer to more easily cover up exposure mistakes in post-production. But most truly great cinematographers use light deliberately and precisely– and to do that, you need a light meter.

SPOT METER VS LIGHT METER

Light meters primarily fall into two categories: incident and reflective. Incident light meters measure the light falling onto the subject. Reflective light meters, on the other hand, measure light reflected off the subject back to the meter. They are also referred to as spot meters, since they measure more specific areas in a frame.

LIGHT METERING

Using a light meter goes beyond just getting the exposure right. It ensures the cinematographer’s visual intent is realized, maintaining continuity across different scenes and setups. Light meters help cinematographers make informed decisions about lighting setups, filter needs, and camera settings, preventing expensive post-production corrections.

HOW TO USE A LIGHT METER FOR FILM

For a light meter to do any of these things, of course, you need to know how to use it. Your process will vary depending on the meter you’re using. For incident meters, position the meter where the subject will be, pointing towards the camera, to measure the direct light. For reflective meters, point the meter toward the subject from the direction of the camera.

Mastering light meters enables cinematographers to craft visually stunning films with intention and precision. From choosing the right type of meter to understanding its application in various lighting conditions, a light meter is an invaluable tool in the cinematographer's toolkit, whether you’re shooting film or digital.


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“Top Gun” - Harold Faltermeyer
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“Go” - Makeup and Vanity Set
“Blood Trails” - Carter Burwell
“The Corridor” - Makeup and Vanity Set
“Discovery” - Makeup and Vanity Set
“Aegus” - Makeup and Vanity Set

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