Daydreaming 00:00
Desert Island Disk _(no video)_
Ful Stop 6:00
Airbag 11:12
15 Step 15:53
The National Anthem 19:47
Separator 24:52
All I Need 30:08
Street Spirit (Fade Out) 34:32
Bloom 38:58
I Might Be Wrong 45:19
Identikit 50:30
Weird Fishes/Arpeggi 55:29
Idioteque 1:05:21
Where I End and You Begin 1:05:21
Lucky 1:09:31
Present Tense 1:14:02

[encore 1]
Give Up the Ghost 1:19:49
Burn the Witch 1:25:21
Reckoner 1:29:20
Fake Plastic Trees 1:34:38
Nude 1:39:44

[encore 2]
You and Whose Army? 1:44:46
Karma Police 1:49:37

[encore 3]
There There 1:56:00
________________________________________
This multicam edit is a labor of love and not in any way motivated by monetary profit or personal gain. Please support the artist. This footage is culled entirely from the following YouTube members:
Hoppipolla    • Radiohead LIVE - (Kansas City, MO Apr...  
Serfi    • Radiohead - Kansas City 2017  
Untrue    / alexradical13  
Inky Brown    • Radiohead 2017 NO/KC  
Tommy Dimmel    • Radiohead @ Sprint Center, Kansas Cit...  
Ernesto Lopez    / spidermind  
Tunes and Tours    • Radiohead - 4/5/17 - "Street Spirit (...  
Nick Wennes    • Radiohead - Separator (Kanas City Apr...  
Christopher Palte    • RADIOHEAD - Daydreaming (Kansas City,...  
James Stetler    • Radiohead - Daydreaming - Kansas City...  
SbMick    • Radiohead - Daydreaming (Live 4-5-2017)  
Benjamin Maljevec    • Radiohead - Fake Plastic Trees (Live ...  
__________________________________________________________
I’ve been wanting to see Radiohead live for years now, and their performance this April in Kansas City did not disappoint. An amazing setlist and so much love and energy in that space. It was a profoundly moving experience to finally be that much closer to this music that had become such a part of my life. Even though they played for almost two and a half hours, it all seemed to go by in a flash, and I was desperate to reconnect to that moment somehow. As I turned to YouTube in the days following the event I was amazed at the volume and jaw dropping quality of some of the footage being posted.

It was all so good, each one with it’s own attributes and highlights, that I knew I had to synthesize it all into one cohesive whole- a multicam fan edit that would weave together all the fragments into a beautiful tapestry of our collective experience, the sum total greater than the individual parts.

Also, as a video professional, I longed to see this footage converted into more filmic frame rate of 24p in order to do it justice. Higher frame rates have a distinctly “television/video-y” quality (sometimes referred to as “the soap opera effect”), and even though they each have their own applications where they work best (30 and 60 for the rapid motion of sports coverage), the warm, analog look of 24 makes this footage look as much like a professionally shot concert film as is possible (moments of shaky long distance digital zoom and low light noise notwithstanding).

Plus, the sound quality of the Hoppipolla footage was surprisingly excellent for being captured on a mobile device, and seeing as they had recorded the entire show (with the exception of “Desert Island Disk”) I knew having the foundation of such high quality audio and video to build upon made this idea a no-brainer. After the Serfi footage emerged (shot from the rail with a Lumix in full 4K and a stone’s throw away from Greenwood), I knew I had to take this on.

Other technical notes: the footage was extracted from YouTube and then converted into the Apple ProRes HQ video codec, with the frame rate shifted down to 24fps, progressive scan, with “blending” selected to compensate for frame loss and excessive motion blur in the 30/60 into 24 discrepancy. The sound was meticulously EQ’d song by song and, although 80-90% of what’s heard is the excellent Hoppipolla source tracks during the songs, the remaining elements were a patchwork woven together from multiple other sources for a majority of the in between parts.

A great deal of time and care went into making this the best it could possibly be, and all I could ask for is that it would bring enjoyment to those who were there that night, those who wanted to be there that night but couldn’t, and especially those who captured this amazing footage and provided the source materials that I could take and hopefully form into something beautiful for all of us to share.

Thank you all so much and please enjoy!