What defines the boundaries between good and evil? A Matter of Film explores this existential question as we take a look at Denis Villeneuve's Sicario.

Join our Patreon Family and get super cool benefits!
  / amatterofilm  

This video was made possible by our AWESOME PATRONS!
Special thanks to:
The Sensitive Nice Guy Show with Jordan Rockwell: Associate Producer
Jasmine Jackson: Associate Producer
Isaias Coronado: Associate Producer

Daniel Chaput: Assistant Producer
Gustavo Schroeder: Assistant Producer
Melissa Alcaraz: Assistant Producer
Thomas Allen: Assistant Producer

We would also like to thank:
Pedro Gutiérrez,
Jose Tamayo,
John Martin
&
James Dermelj
for their amazing support!

Dark Times by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/...)
Source: http://incompetech.com/music/royalty-...
Artist: http://incompetech.com/

Recommended:
Sicario: The Mirage of a Moral World:    • Sicario: The Mirage of a Moral World  
1 Brilliant Moment of Tension:    • 1 Brilliant Moment of Tension  

What defines the boundaries between good and evil? This question has remained deeply ingrained in the human psyche since the dawn of mankind. Countless stories have been dedicated to finding a definite solution, a final answer to the question. It’s one of the most conventional themes in literature, a universal component of the human condition. Since childhood we are taught to think in binary, to create black and white solutions to our problems. Denis Villeneuve’s Sicario presents a different way to think about a big problem: The War on Drugs, indicating that the line between good and evil is blurrier than we ever thought. “Nothing will make sense to your American ears. But in the end, you will understand.”

Be sure to subscribe to our channel!