This is my video essay on the artist MF DOOM. In terms of finding an artist whose talent in their field was unmatched, no one can look past the unbelievable virtuosity of this true rap icon. MF DOOM was about the art and just the art alone. He was as pure as you could get. He was your favourite rapper’s favourite rapper.

But despite his talent, MF DOOM wasn’t the most popular.

While legends of rap came and went, MF DOOM lurked amongst the background, toiling away and always being prolific. It was in the underground world where he thrived, and his discography extended vast beyond his reach from not just his own releases but also through the hundreds of collaborations with others.

So, how could someone be so prolific yet still never reach the heights of success like others in his field?

This is my video exploring this man’s great body of work.

Contents:
0:00 Introduction
Conclusion

Thank you to my incredible Patreons for continuing to support this channel. You guys are amazing. At the time of this being made, these include the lovely people: “Matthew McKinley and ThatEvilCanadian”.

Special thanks to the following YouTubers who created their own great music videos to MF DOOM’s songs which are highlighted in this video: “Ezra Alexander, Makakinidani, Matthew Ayer, SwaggerLikeUz and TheSuperRetroBrothers”.

My personal favourite is Ezra Alexanders Vaudeville Villain which can be seen here:
   • Vaudeville Villain - Viktor Vaughn (M...  

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Who is MF DOOM?

Daniel Dumile best known by his stage name MF DOOM or simply DOOM (both stylized in all caps), was a British-American rapper and record producer. Noted for his intricate wordplay, signature metal mask, and "supervillain" stage persona, Dumile became a major figure of underground hip hop and alternative hip hop in the 2000s. After his death, Variety described him as one of the scene's "most celebrated, unpredictable and enigmatic figures".

Dumile was born in London and moved to Long Island, New York, at a young age. He began his career in 1988 as a member of KMD, performing as Zev Love X. The group disbanded in 1993 after the death of member DJ Subroc, Dumile's brother. After a hiatus, Dumile reemerged in the late 1990s. He began performing at open mic events while wearing a metal mask resembling that of the Marvel Comics supervillain Doctor Doom, who is depicted on the cover of his 1999 debut solo album Operation: Doomsday. He adopted the MF Doom persona and rarely made unmasked public appearances thereafter.

Between 2003 and 2005, Dumile released four solo albums and three collaborative albums. In addition to the critically acclaimed Mm..Food (2004) under the MF Doom moniker, he released solo albums including one under the pseudonym King Geedorah and two as Viktor Vaughn. Madvillainy (2004), recorded with the producer Madlib under the name Madvillain, is often cited as Dumile's magnum opus and is regarded as a landmark album in hip hop. In 2005, Dumile released The Mouse and the Mask with the producer Danger Mouse as Danger Doom.

In 1997 or 1998, Dumile began freestyling incognito at open-mic events at the Nuyorican Poets Café in Manhattan, obscuring his face by putting tights over his head. He turned this into a new identity, MF Doom, with a mask similar to that of Marvel Comics supervillain Doctor Doom. He later used a mask based on the character Maximus from the 2000 film Gladiator.
Bobbito Garcia's Fondle 'Em Records released Operation: Doomsday, Dumile's first full-length LP as MF Doom, in 1999. Dumile's collaborators on Operation: Doomsday included fellow members of the Monsta Island Czars collective, for which each artist took on the persona of a monster from the Godzilla films. Dumile went by the alias "King Geedorah", a three-headed golden dragon space monster modeled after King Ghidorah.

The album's productions sampled cartoons including Fantastic Four. Jon Caramanica, in a review of Operation: Doomsday for Spin, emphasized the contrast between Dumile's flow as Zev Love X in KMD and his revised approach as a solo artist: "Doom's flow is muddy, nowhere near the sprightly rhymes of KMD's early days, and his thought process is haphazard." Caramanica revisited Operation: Doomsday in The New York Times in 2021, calling it "one of the most idiosyncratic hip-hop albums of the 1990s, and one of the defining documents of the independent hip-hop explosion of that decade". Cyril Cordor, in a review for AllMusic, described Operation: Doomsday as Dumile's "rawest" lyrical effort.