ELGAR NIMROD – LARGEST PIPE ORGAN IN ASIA - WEIWUYING 衛武營 National Kaohsiung Center for the Arts 高雄
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 Published On Jun 26, 2019

Jonathan Scott performs his solo organ arrangement of Nimrod (Enigma Variations Op. 36) by Edward Elgar on the organ of WeiWuYing - National Kaohsiung Center for the Arts, Taiwan. The score for this transcription is available here: http://www.scottbrothersduo.com/SCORE...
衛武營 衛武營國家藝術文化中心, 高雄

Completed in 2018 by Orgelbau Klais Bonn, the organ has 127 Stops and 9,085 pipes making it the largest pipe organ in Asia. Full specification below.

Film & Sound by Tom Scott

For more information please visit: http://www.scottbrothersduo.com

The Organ of WeiWuYing - National Kaohsiung Center for the Arts
Orgelbau Klais Bonn 2018

The organ has three consoles.
i. The attached 5 manual and pedal Symphonic Console is mechanical with electric action for the 5th Solo manual and for playing the Classical Organ.
ii. The Classical Organ has it's own mechanical 2 manual and pedal console and is also playable from both 5 manual symphonic consoles as a floating division.
iii. The 5 manual mobile Symphonic Console is electric action action and has the additional features of a pedal divide and the option of swapping manuals I/II


SPECIFICATION

Symphonic Organ: V/102, mech.+elektr./elektr.

I. POSITIF EXPRESSIF C-c4
Quintaton 16'
Montre 8'
Salicional 8'
Bourdon 8'
Unda maris 8'
Flûte ouverte 4'
Violon 4'
Chœur de Violes VI 2 2/3'
Basson 16'
Horn 8'
Chœur de Rossignols
Trémolo

II. GRAND-ORGUE C-c4
Montre 16'
Bourdon 16'
Montre 8'
Salicional 8'
Flûte harmonique 8'
Bourdon 8'
Grosse Quinte 5 1/3'
Prestant 4'
Flûte ouverte 4'
Grosse Tierce 3 1/5'
Quinte 2 2/3'
Septième 2 2/7'
Doublette 2'
Cornet V 8'
Fourniture VI 2'
Cymbale VI 1 1/3'
Bombarde 16'
Trompette 8'
Chamade (SO) 16'
Chamade (SO) 8'
Chamade (SO) 4'

III. RÉCIT EXPRESSIF C-c4
Bourdon 16'
Diapason 8'
Flûte harmonique 8'
Viole de Gambe 8'
Voix céleste 8'
Octave 4'
Flûte octaviante 4'
Nazard harmonique 2 2/3'
Octavin 2'
Tierce harmonique 1 3/5'
Carillon IV 2 2/3'
Cornet harmonique V 8'
Bombarde 16'
Trompette harmonique 8'
Hautbois 8'
Voix humaine 8'
Clairon 4'
Trémolo

IV. GRAND-CHŒUR C-c4
Principal 8'
Bourdon 8'
Octave 4'
Nazard 2 2/3'
Quarte 2'
Tierce 1 3/5'
Larigot 1 1/3'
Septième 1 1/7'
Sifflet 1'
Grosse Fourniture VI 2 2/3'
Cymbale VI 1'
Grosse Trompette 8'
Cromorne 8'
Gros Clairon 4'
Trémolo

V. SOLO C-c4 (Enclosed)
Flûte majeur 8'
Gambe 8'
Voix céleste 8'
Flûte de Concert 4'
Grande Bombarde 16'
Trompette 8'
Cor anglais 8'
Clairon 4'
Chamade 16'
Chamade 8'
Chamade 4'

PÉDALE C-g1
Voix de baleine 64'
Flûte 32'
Soubasse 32'
Basse acoustique 32'
Flûte 16'
Principal-Basse (G-O) 16'
Soubasse 16'
Bourdon (G-O) 16'
Grosse Quinte 10 2/3'
Flûte 8'
Octave 8'
Bourdon 8'
Grosse Tierce 6 2/5'
Quinte 5 1/3'
Septième 4 4/7'
Octave 4'
Flûte 4'
Petite Quinte 2 2/3'
Petite Flûte 2'
Piccolino 1'
Mixture VI 2 2/3'
Contre Bombarde 32'
Bombarde I 16'
Bombarde II (SO) 16'
Trompette I 8'
Trompette II (SO) 16'
Clairon 4'

KOPPELN/COUPLERS
Tirasse Positif expressif (I-P)
Tirasse Grand-orgue (II-P)
Tirasse Récit expressif (III-P)
Tirasse Grand-chœur (IV-P)
Tirasse Solo (V-P)
Tirasse Chamades (CH-P)
Grand-orgue au Positif (II-I)
Récit au Positif expressif (III-I)
Grand-chœur au Positif (IV-I)
Solo au Positif expressif (I-P)
Chamades au Positif expressif (CH-I)
Positif au Grand-orgue (I-II)
Récit au Grand-orgue (III-II)
Grand-chœur au Grand-orgue (IV-II)
Solo au Grand-orgue (V-II)
Grand-chœur au Récit (IV-III)
Solo au Récit (V-III)
Chamades au Récit (Ch-III)
Solo au Grand-chœur (V-IV)
Chamades au Grand-chœur (Ch-IV)
Octaves graves Positif (Sub in I)
Octaves aiguës Positif (Super in I)
Octaves graves Grand-orgue (Sub in II)
Octaves aiguës Grand-orgue (Super in II)
Octaves graves Récit (Sub in III)
Octaves aiguës Récit (Super in III)
Octaves graves Grand-chœur (Sub in IV)
Octaves aiguës Grand-chœur (Super in IV)
Octaves graves Solo (Sub in V)
Octaves aiguës Solo (Super in V)

Classic Organ: II/25, mech.+elektr./elektr.

I. HAUPTWERK C-c4
Quintadena 16'
Principal 8'
Gedackt 8'
Gamba 8'
Octave 4'
Quinte 2 2/3'
Superoctave 2'
Mixtur V 1 1/3'
Trompete 8'

II. OBERWERK C-c4
Gedackt 8'
Quintadena 8'
Principal 4'
Rohrflöte 4'
Waldflöte 2'
Quinte 1 1/3'
Sesquialera II 2 2/3'
Scharff IV 1'
Dulcian 8'
Tremulant

PEDAL C-g1
Subbass 16'
Principal 8'
Gedackt 8'
Octave 4'
Hintersatz IV 2 2/3'
Fagott 16'
Trompete 8'

KOPPELN/COUPLERS
II – I / I – P / II – P

Generalspieltische / General Consoles:
Hauptwerk – I
Hauptwerk – II
Hauptwerk – III
Hauptwerk – IV
Hauptwerk – V
Hauptwerk – P
Oberwerk – I
Oberwerk – II
Oberwerk – III
Oberwerk – IV
Oberwerk – V
Oberwerk – P

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