All of these wide shots had to sit next to our more finessed closeups.
Everything was motivated from the windows, but I needed more consistency over the course of two days so that the actors could do long scenes without big changes in lighting.

This setup was mostly reliant on 4 Aputure 600D leds, either with Long soft boxes (stripboxes) and the stock reflector.

Combined with some black solids we could get a selection of wide and medium shots at the same time and still have everything fit with the more carefully lit close shots.