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🎛 Learn how to be in command of any synthesizer & develop YOUR sound.
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ABOUT THIS VIDEO

Check out my breakdown of Herbie Hancock's "Chameleon" bass sound. I'll show you step by step how to re-create it using the same 1972 ARP Odyssey model synthesizer as Herbie...including performance tips!

Not only is it one of my all-time favorite synth bass sounds, it also changed the reach of jazz music by opening up the mindset of both jazz musicians and the listening public to fresh new sounds. This was much needed in the 70's to compete with rock 'n' roll's dominance of the airwaves. Synth sounds allowed jazz musicians to connect with a larger set of minds and voices yet retain still retain musical complexity, quality, and integrity.

The cornerstone techniques in this video will effectively elevate your synthesizer power, no matter what style you prefer.

00:00 "Chameleon" intro cover performance
00:30 Anthony's Intro
01:25 ARP Odyssey Panel Explanation
02:12 Setting the Oscillator Pitch & Waveforms
03:06 Setting the Mixer & Voltage Controlled Filter VCF
04:05 Setting the ADSR Envelope Generator
04:59 Setting the VCA
05:37 Setting the Keyboard Control Voltage
06:56 Dialing in the Distortion
08:35 Keyboard Articulation & Phrasing
09:34 Summary of "Chameleon" Bass
10:22 Logo (theme music)

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ABOUT ANTHONY

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns , Internal Affairs , The Man From Elysian Fields , 15 Minutes and Planes, Trains & Automobiles , been commissioned by the Los Angeles Philharmonic for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as Michael Jackson's Thriller .

His extensive work as a young arranger, orchestrator and performer for Quincy Jones , Jack Nitzsche , Lamont Dozier , Arthur Rubenstein and Giorgio Moroder was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.

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