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Thaat: Kalyan
Aarohi: S G M D NMD S'
Amrohi: S' D---MDND MG MG S
Vadi: D
Samvadi: G
Pakard: S G M D M G MG S 'D S
Time: 3 am - 6 am
Zaat: Audav - Audav

Raag Hindol is a Hindustani classical raga from the Kalyan thaat. It is an audav-audav raga, meaning that both the ascending (aroha) and descending (avaroha) scales have only shuddh (natural) notes. The vadi (dominant) note is dha and the samvadi (subdominant) note is ga.

The raga is named after the swing (hindol) because its melodic structure is said to resemble the gentle swaying of a swing. The raga is characterized by its slow tempo, its use of gamaks (grace notes), and its delicate, flowing phrasing.

Hindol is associated with the spring season and is traditionally sung during the early morning hours. It is a popular raga for khayals, dhrupads, and dhammars.

The following are some of the key features of Raag Hindol:
* Teevra Madhyam (sharp madhyam): The madhyam (third note) is sharp, which gives the raga a distinctive sound.
* Gamaks: Gamaks are used extensively in Raag Hindol to create a sense of movement and fluidity.
* Slow tempo: Raag Hindol is typically sung at a slow tempo, which allows the listener to appreciate the nuances of the raga.
* Delicate phrasing: The phrasing in Raag Hindol is delicate and flowing, which reflects the gentle swaying of a swing.

Raag Hindol is a beautiful and evocative raga that is well-suited for expressing a variety of emotions, such as love, longing, and peace. It is a challenging raga to learn, but it is well worth the effort for those who are interested in exploring the depths of Hindustani classical music.

Here are some additional details about Raag Hindol:
* The swaras (notes) used in Raag Hindol are sa, re, ga, ma, pa, dha, and ni. The rishabh (second note) and pancham (fifth note) are not used.
* The chalan (melodic movement) of Raag Hindol is typically slow and lyrical. The raga is often played in the vilambit (slow) tempo, but it can also be played in the madhya (medium) tempo.
* Some of the common compositions in Raag Hindol include "Hindol Bahar" by Amir Khusro, "Hindol Ki Malkauns" by Tansen, and "Hindol Todi" by Pt. Jasraj.

Raag Hindol is a complex and beautiful raga that is well-loved by many Hindustani classical musicians. It is a challenging raga to learn, but it is a rewarding one for those who are willing to put in the effort.

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Intro: (0:00)
Pakard: (0:28)
Bandish: (0:43)
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