The BOBO walks, turns, runs and decomposes in a fictional space where it reaches extreme physical states. A stock of movements, forms and structures that are typical of an electronic ritual.
The performer does not stop moving until he gets the body of the BOBO, a body out of the ordinary, strange and sometimes schizophrenic, which questions the aesthetics of beauty.

This performative work was realized in 2017 under the direction of Nicolas Poggi and musicalized by Agustin Colli. Now this language, BOBO´s body, is transported to a female body. How to transform this energy of movement? Is it possible to achieve an ambiguous body?