THE HEIRESS (1949) -- triumph of a strong woman, or tragedy of a tortured soul? (SPOILERS!!!)
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 Published On Jun 21, 2020

WARNING! Spoilers for The Heiress (1949). Is it a triumphant story of an independent woman, or a tragedy of an unloved soul?

Disclaimers: I am not a film scholar and am presenting only my own observations, for what they're worth. While I hope some may find my insights interesting, I do not claim they are definitive or exhaustive.

LINKS to previous videos:

Psycho:    • Psycho Analysis: Motifs in Darkness  

"M":
   • Fritz Lang's "M": Sound and Silence  

Strangers on a Train:    • Strangers On A Train:  Good Guy or Ba...  

Perfect Blue (1997):    • PERFECT BLUE (1997) - the terrible co...  

Black Swan (2010):    • BLACK SWAN (2010)  -  the tragedy of ...  

Enemy (2013):    • ENEMY (2013) - It's all about control...  

AI - Artificial Intelligence (2001):    • AI - Artificial Intelligence (2001) -...  

The Killing of a Sacred Deer (2017):    • The Killing of a Sacred Deer (2017) -...  

The Lobster (2015):    • The Lobster (2015) - love is blind ? ...  

Audition (1999):    • Audition (1999) - what makes it scary...  

Color Out of Space (2019):    • Video  

Mandy:    • Mandy (2018) - an appreciation of int...  

The Lighthouse:    • The Lighthouse (2019) - denial of abs...  

The Witch:    • THE VVITCH (2015) - doomed by a fathe...  

Under the Skin:    • Under the Skin  -  drowning in shallo...  

Blue Ruin:    • Blue Ruin (2013) - a violent anti-vio...  

Midsommar:    • MIDSOMMAR (2018) - summary, and why i...  

Suspiria (2018):    • SUSPIRIA (2018) - It's Not Really Abo...  

Check out my movie reviews on Letterboxd: https://letterboxd.com/ShootMeReviews...

This is intended for viewers who are familiar with the film, but if spoilers are not a deterrent, it is not necessary to have seen the movie to follow this video.

All clips taken from The Heiress (1949). This video was made for the purpose of film appreciation/criticism and I believe these contents fall under fair use IP laws.

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