Storm Boy, based on a novel by Colin Thiele, is one of the most cherished of Australian classic films. It has a deep emotional clarity that appeals to children and adults alike, making it timeless. The landscape of the Coorong wetlands, bleak and beautiful and windswept, becomes a refuge for the broken, the loveless and the outcast an alternate Garden of Eden, in which a different version of Australia might seem possible a kind of hermits utopia.

The film is clearly about much more than the boys love of the pelican, which he calls Mr Percival. It touches on race relations, ecology, the breakdown of families, white and black law and questions of prior ownership, but the themes are seamlessly woven into the story. Much of the power comes from the elemental beauty of Geoff Burtons camerawork (his work on Sunday Too Far Away, with a different colour palette, has a similar expressiveness), and from director Henri Safrans sensitive handling of the performances.