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The Poetry Vlog The Poetry Vlog
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 Published On Nov 23, 2019

Writer and educator Casandra Lopez reads and discusses her original work, the ethics of trauma narratives, & fostering art, creativity, and connection through car remodeling.

Mentioned in this episode:
✔︎ Barbara Christian, "The Race for Theory" (https://pullias.usc.edu/wp-content/up...)
✔︎ Kara Keeling, "Critical Theory and Popular Education" (https://www.academia.edu/8630216/Crit...)
✔︎ Dylan Miner (http://dylanminer.com)

Casandra Lopez is a Chicana and California Indian (Cahuilla/Tongva/Luiseño) writer who’s received support from CantoMundo, Bread Loaf and Jackstraw. She’s been selected for residencies with the School of Advanced Research and Hedgebrook. Her chapbook, Where Bullet Breaks was published by the Sequoyah National Research Center and her poetry collection, Brother Bullet is forthcoming from University of Arizona. She’s a founding editor of As/Us: A Space For Women Of The World and teaches at Northwest Indian College.

✔︎ https://casandramlopez.com
✔︎   / casandramlopez  
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The Poetry Vlog is a YouTube Channel and Podcast dedicated to building social justice coalitions through poetry, pop culture, cultural studies, and related arts dialogues.

Full episodes include guests that range from unpublished and poetry-adjacent community stake-holders, to award-winning poets and scholars, to C. R.'s own students. The Poetry Vlog across its distribution channels believes in the worlds we can build through dialogue-based knowledge production, supporting open access scholarship, community-based research, and accessible pedagogy.

The Fall 2019 Student Team:
Mandy Cook - Team Manager
Wil Engstrom - Video Editor
Parker Kennedy - Video Editor
Kristin Ruopp - Digital Marketing & Outreach
Reagan Welsh - Social Media & Communications
Mel Kuoch - Video Editor

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The Poetry Vlog Podcast:
✔︎ https://www.anchor.fm/thepoetryvlog
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Catch up on Seasons 1 & 2:
✔︎    • The Poetry Vlog: Seasons 1 + 2  

Season 3 of The Poetry Vlog is supported by The Simpson Center for the Humanities, with support from The Andrew W. Mellon Foundation and the Jack Straw Cultural Center.

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