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In The Lovers II, by Magritte, he takes the cinematic cliché but disrupts our voyeuristic pleasure by covering the faces in cloth. A moment of connection becomes one of isolation, of sexual frustration. An intimate moment becomes something dark and effortlessly disturbing. Something hidden and anonymous.

Rene Magritte denied that his traumatic childhood was connected in any way with his art, but in this episode, I look at the possibility that his past affected him more than he admitted.

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I would like to thank all my Patreon supporters, in particular Adriana Nemet, Alan Stewart, Alexander Velser, Alyssa Phillips, Anja Zeutschel, Bria Nicole Art, David Asabreu, Christa Sawyer, Eric Mann, Erique K, Griffin Evans, Hugo Moita, Jemma Theivendran, Julio Cardenas, Karim Hopper, Kibibi Shaw, Louise Tait, Monte St Johns, New Curiosity, Paul Ark, Paul Waterman, Pavel Juszczyk, Sean Welgemoed, Stephen Beresford, Tanya Moore, Theresa Garfink, Toni Ko, and Will Dew's-Power.

"What a brilliant series this is" - Stephen Fry on Twitter

SUBTITLES

Spanish Subtitles by Alma Perdomo (gracias)

I input the English subtitles myself but I rely on volunteers to do subtitles for other languages and I really appreciate it - just contact me at [email protected]

CREDITS

Opening Animation and Title Sequence by Brian Adsit (instagram https://instagram.com/brian_vfx?utm_m... and Behance www.behance.com/badsit88)

Sound Mix by Oscar Sidoff Rydelius (Thank you!)

All the videos, songs, images, and graphics used in the video belong to their respective owners and I or this channel do not claim any right over them.

MUSIC
royalty free Music by Giorgio Di Campo for @FreeSound Music
http://freesoundmusic.eu
  / freemusicfor.  .
DanceThe Charleston (challenge) - no ...
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BOOKS, CATALOGUES AND ESSAYS
Magritte: A Life by Alex Danchev
Rene Magritte: The Artist's Materials by Catherine Defeyt, Francisca Vandepitte, et al.
Magritte: The Treachery of Images by Didier Ottinger
René Magritte: The Revealing Image by Xavier Canonne
Ways of Seeing by John Berger

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