Opening up new dimensions - ZEISS Supreme Prime Lenses:
Consistency is one of the key elements offered by the ZEISS Supreme Prime lenses: that means consistent coverage, color rendering, aperture, size, weight and ergonomics. All the lenses across the family cover full frame and even bigger sensors with an image circle of 46.2 mm. The Supreme Prime lenses are color matched across the full range and most feature a fast T-stop of T1.5.

REEL:

HOMETOWN DÉJÀ VU
DIRECTOR : Peter Pau
CINEMATOGRAPHER: Peter Pau, HKSC
SHOT ON: ZEISS Supreme Primes and RED Monstro VV

PASSING
DIRECTOR: Aisha Schliessler
CINEMATOGRAPHER: Jon Joffin, ASC
SHOT ON: ZEISS Supreme Primes and Sony Venice / Phantom 4K / RED Monstro VV

TIES
DIRECTOR: Laura Stabilini
CINEMATOGRAPHER: Paul Cameron, ASC
SHOT ON: ZEISS Supreme Primes and Sony Venice

TSUNAGERU
DIRECTOR: Akira Sako
CINEMATOGRAPHER: Akira Sako, JSC
SHOT ON: ZEISS Supreme Primes and Sony Venice

RELIQUIAE
DIRECTOR: John Marchant
CINEMATOGRAPHER: John Marchant
SHOT ON: ZEISS Supreme Primes and RED Monstro VV

WEEKEND DADS
DIRECTOR: Jeannie Roshar
CINEMATOGRAPHER: Laura Merians
SHOT ON: ZEISS Supreme Primes and ARRI Alexa LF

THE COMMANDER
DIRECTOR: Petr Jákl
CINEMATOGRAPHER: Mark Bliss
SHOT ON: ZEISS Supreme Primes and RED Monstro VV / Sony Venice

NATIONAL GEOGRAPHIC EXPLORERS
DIRECTOR: Helen Morgan –Geary
CINEMATOGRAPHER: Fernando Caamaño
SHOT ON: ZEISS Supreme Primes and RED Monstro VV

IRAGA IRAGA
CINEMATOGRAPHER: Rajeev Ravi
Music Directors: Vishal - Shekar
SHOT ON: ZEISS Supreme Primes and Sony 65

EL VIAJE
DIRECTOR: Serge Saldívar
CINEMATOGRAPHER: Serge Saldívar, AMC
SHOT ON: ZEISS Supreme Primes and RED Monstro VV

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