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Tarantino films are well known for their over-the-top violence and profane language. They're NOT well known for their subtle and nuanced critiques of systems of oppression, which, surprisingly, is exactly what we get in Django Unchained. In this Wisecrack Edition, we break down how everything from language to 200 year old operas, to the role of acting in giving slaves agency, inform how this film masterfully subverts the logic of slavery in the antebellum South.

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Written by: Michael Burns
Directed by: Michael Luxemburg
Hosted by: Jared Bauer
Edited by: Jackson Maher
Motion Graphics by: Drew Levin
Produced by: Emily Dunbar


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