Published On Apr 18, 2023
Whether you’ve got a preferred sound in your head or are stumbling around trying to figure out what’s “good” and what isn’t, floor toms can be tricky beasts when we try to apply specific recipes. Often times we get hung up on recreating our favorite recorded sounds in an acoustic environment and struggle to produce a tone that projects and response across the dynamic range. Today we’ll go step by step through the process of remedying the issues of a common floor tom setup.
PATREON:
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PRODUCTION PARTNERS:
GIK Acoustics (sonic treatment): https://sladl.ink/GIK
AKG Audio (microphones): https://sladl.ink/AKG
Evans Drumheads: https://sladl.ink/EvansDrumheads
ProMark Drumsticks: https://sladl.ink/ProMarkDrumsticks
Signal chain:
Mics - Focusrite Clarett 8Pre USB & OctoPre - MacPro w/Pro Tools 2022.5
Recorded at 48kHz / 24bit
Overheads: (Matched Pair in Glyn Johns - Cardioid) AKG C314 https://sladl.ink/C314Pair
Snare, Toms: AKG C518M https://sladl.ink/C518M
Kick Drum: AKG D12VR https://sladl.ink/AKGD12VR
No EQ or compression in use with drum demos unless otherwise noted
Acoustic Treatment:
GIK 242 Acoustic Panels: https://sladl.ink/GIK242
GIK 4A Alpha Pro Series Diffusor/Absorber: https://sladl.ink/GIK4aAlphaPro
GIK Evolution PolyFusor Combination Sound Diffuser/Absorber: https://sladl.ink/GIKEvolutionPolyFusor
GIK Tri-Trap Corner Bass Trap: https://sladl.ink/GIKTriTrap
Drums:
Pearl Masters Maple Custom Extra w/Ludwig 60’s Acrolite
Cymbals:
22” Jesse Simpson clone of old Zildjian A, 15" Zildjian “Fat Hat” Prototype Hihats
Drumheads:
Snare: Evans UV1 / Snare Side 300
Toms: Evans G1 Coated / Evans G1 Clear
Kick Drum: Evans UV EMAD / EQ3 Coated White Reso
Hosted by: Cody Rahn
Production & Consulting: Ben O'Brien Smith @ Cadence Independent Media
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