Try this super versatile 4-note Arpeggio for Modes and the II V I. Create a fusion sound over a minor ii-V-i progression to sound awesome and sophisticated. Try this little gem of a shape to discover its immense versatility and how you can use this one shape for a lot of beautiful extended and colorful chord arpeggios. This shape will be you friend forever once you discovered the power of this Jack of all trades arpeggio!
Use the same shape for half diminished arpeggios, minor arpeggios, maj7 arpeggios and altered dominant arpeggios to creates modes like Phrygian, Dorian, Lydian and Locrian.

Subjects in this video:
- 4-note arpeggio shape.
- Arpeggio shape repeated in the octave.
- The min7b5(sus4) arpeggio shape.
- The Maj7b5 or Maj7#11 arpeggio shape.
- The MinSus4b9 or minor b9 arpeggio shape.
- The min6/9 arpeggio shape
- The Altered dominant arpeggio shape
- The ii V I in a minor key
- The ii V I vi progression
- The II V I Turnaround
- Improvise over the II V I in a minor key

CHAPTERS:
0:00 Introduction
0:23 The Arpeggio Shape
1:27 Every note can be the root
1:48 Sus4(b9) arpeggio
2:52 Maj7#11 of Maj7b5 arpeggio
4:19 Min7b5(sus4) arpeggio
5:23 Min6/9 and Altered dominant arpeggios
7:48 Overview / Summary
8:18 The Dark ii-V-I turnaround
12:14 The final Result (examples)


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