I tested the recent audiophile reissue of "Thriller" released by Mo-Fi. Is it worth what it costs?
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I reflect with you on the price of the audiophile reissues published by the American label Mobile Fidelity, especially whether that price is commensurate with their value. A reasoning which as usual I have explained accompanied by the facts, in this case from the audio recording of the various prints in my possession of Michael Jackson's masterpiece: a first print from 1982, the standard reprint from 2015, the remastered reprint from 2022 and the reprint Mo-Fi audiophile. I then draw conclusions on the Mo-Fi Gate and take stock of the concept of "audiophile" vinyl, an obsession that is clouding the judgment of many (too many?) enthusiasts.

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CLIP CREDITS: The “Mo-Fi” and “Thriller?” clips are taken from the Canals of Rafe W.H. Arnott and 45 RPM Audiophile.

00:00 | Why this video?
01:06 | Reprints for everyone vs Reprints for the rich...
03:28 | Thriller & Mo-Fi Gate: in what sense?
11:03 | Mo-Fi Thriller: Unboxing and Disclaimer
15:51 | Super Vinyl and Audio Test
18:37 | Analysis of Tests and the "audiophile" world: there is something wrong...

DISCLAIMER: I do not hold the rights to the audio/video clips included which are to be understood as purely illustrative of the album mentioned. The aim is not to take away profits from the artist or the record label, but exactly the opposite, promoting CULTURE through a few seconds of shared music.

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#thriller #vinyl #audiophile